Het is een uitsnede uit een foto van een schilderij van Fritz Osswald (1878-1966). Vervolgens is die uitsnede op ebay.at dusdanig toegetakeld, dat iemand het wel uit zijn hoofd zou laten om dat beeld te kopiëren. Ik doe het toch. Als ik een beetje beter ga zoeken, kom ik het beeld toch wel ergens anders tegen, en ook nog in kleur.

Bijzonder is dit beeld van het Noordwijkse strandleven rond 1910. Er is nog een ander schilderij van Osswald uit dezelfde periode, op dezelfde plek, met hetzelfde thema:


Voor een antwoord op de vraag wie Fritz Osswald was, gaan we te rade bij de Wikipedia (en ik citeer integraal):

Fritz Osswald was born in Hottingen (Zürich) on 23 June 1878. The son of sculptor Albert Osswald, he spent his childhood between Zurich and Winterthur, where he attended primary school; after a few years in a boarding school in French-speaking Switzerland, he enrolled at the art institutes of Zurich and Munich. In 1897, Osswald frequented courses by Wilhelm von Diez and Nikolaos Gyzis at the Academy of Fine Arts in Munich, and was awarded two medals of honour. From 1904, he was represented in Munich’s Secession exhibitions, where he encountered outstanding success, selling his first works to museums. Appreciated as an emerging artist – and compared by critics to well-established names – Osswald married in 1907 Elsbeth Leopold, who gave birth to their daughter Agnes Hildegard, known as Hilla, in May of the following year. The artist travelled extensively between Italy, Austria, the Netherlands, Switzerland, and the North and Baltic seas; until, in 1913, he was invited by Ernest Ludwig, Grand Duke of Hesse to become a member of the artists’ colony of Darmstadt, cradle and stronghold of the Jugendstil. Here Osswald, already well-known, decorated the formal reception rooms of the alta borghesia. With a private studio at his disposal inside the castle, he feverishly painted urban views, factories on the Rhine, vases of flowers, and large winter landscapes. By now at the apex of his career, the Swiss artist elicited enthusiasm in the most important German galleries – Munich, Hamburg, Stuttgart, Berlin, Heidelberg, Dresden. At the outbreak of the Great War, Fritz Osswald was summoned back to Switzerland to enrol for military service, from which he was afterwards discharged when he had passed the age limit. On his return to Darmstadt, he was able to take up his previously nominated position as Professor of Art. In 1919 he left the artists’ colony and departed for the outskirts of Zurich, before buying, in 1922, a large house in Starnberg, Bavaria. Here he lived with his family until his death, which passed on 24 August 1966, after years of continuous artistic production.